Memento Mori

Decay and rot are established motifs in art history. They address transience disgust, as well contemplation, devotion humility through the tradition of Memento Mori. In contrast to pure motific depictions decay, Finnish artist Toni R. Toivonen (*1987) arranges deceased animals creates works, which organic components such fur, muscles, flesh blood decompose until dissolution. Organic decomposition, 'the last trace life,' refers death ultimate manifestation immateriality impalpability. This is apparent Toivonens object Portrait a Hare (No. 14). The arcane moment between life becomes clear physical transformation an animal's cadaver. time not only change affecting body; it additionally broken down by bugs bacteria. traces result hazy portrait protagonist: field hare. Toivonen’s contribution reflects motif hare history iconography, considering representation dead art. interlocking historical perspectives ephemeral materials, process central interest work, further development decay. Allusions Joseph Beuys' performances, Dieter Roth’s multiples, Sonja Alhäuser's, James Elaine's Animal Books (beginning 1980s) serve comparisons Toivonen's concept transformation.